Not every film is meant to be “understood.” Some are dreams with no clear ending, symbols without one meaning, scenes that only ask to be felt. Let them confuse you a little. That’s part of the point. ⸻ 🌈 Dreams (1990) – Akira Kurosawa Eight dreams, one life. Peach orchards, tunnels, crows, snowstorms, and Van Gogh. No need to decode — just drift with it. 🌀 The Fall (2006) – Tarsem Singh A paralyzed man tells a fantastical story to a child. Shot across 18 countries, every frame looks like a painting. Beautiful, painful, and quietly manipulative. 🔴 The Color of Pomegranates (1969) – Sergei Parajanov Not a story, but a series of visual poems. Pomegranates, crushed grapes, still bodies — a haunting biography told entirely in metaphor. 💠 Ashik Kerib (1988) – Sergei Parajanov Almost no dialogue. Just colors, costumes, and movement. A love story that feels more like a ballet than a film. 🖼 Shirley: Visions of Reality (2013) – Gustav Deutsch 13 paintings by Edward Hopper, brought to life. A quiet portrait of American solitude, told through a woman moving through history. 🌋 The Holy Mountain (1973) – Alejandro Jodorowsky Unhinged, spiritual, grotesque. A man seeks immortality. Gold from filth. Religion, capitalism, ego — all exploded into surreal imagery. #entertainment #movie #visuallanguage