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Before she was Marilyn Monroe, she was Norma Jeane — an 18-year-old young woman whose famous future was still years away. In 1944, Norma Jeane was living a life that looked nothing like the Hollywood icon she would eventually become. She had married James Dougherty at 16 and, during the war years, took ordinary jobs while beginning to imagine a different future for herself. Accounts of her early life describe her doing domestic work, including babysitting, before the opportunity that would change everything arrived. In 1944, while working at the Radioplane Company in California, Norma Jeane was photographed by military photographer David Conover as part of a wartime publicity assignment. Conover immediately noticed how naturally she responded to the camera. Soon she was modeling. Then came acting lessons, studio contracts and a transformation that included a new professional name: Marilyn Monroe. Within a few years, the young woman who had been earning modest wages during World War II was appearing in movies. By the early 1950s, she was becoming one of Hollywood's biggest stars. Gentlemen Prefer Blondes. How to Marry a Millionaire. The Seven Year Itch. Some Like It Hot. Eventually, her image would become so famous that photographs of Marilyn Monroe would remain recognizable generations after her death. But in 1944, none of that existed yet. There was no white dress over a subway grate. No Hollywood Walk of Fame star. No international celebrity. Just an 18-year-old Norma Jeane trying to earn money, learning about acting and wondering whether she might have a future in front of a camera. The world knew her as Marilyn Monroe. But first, she had to become her.

Farobag Homi Cooper

The great Nadia Boulanger was born on September 16, 1887 in Paris, France. She was born into a highly musical family, and her younger sister, Lili Boulanger, also became a renowned composer and Nadia preserved and promoted Lili’s music for the rest of her own life, conducting and teaching her works to subsequent generations. Nadia taught an extraordinary range of musicians, including Copeland, Bernstein, Glass, Barenboim, and Piazzolla. She was also a pioneering conductor, becoming the first woman to conduct major American orchestras, including the Boston Symphony Orchestra and New York Philharmonic. She arguably shaped 20th-century music more through her students than through her own compositions. “The art of music is so deep and profound that to approach it very seriously only is not enough. One must approach it with very serious rigor and, at the same time, with great, affectionate joy.”

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During the pre-production of Indiana Jones and the Last Crusade in the late 1980s, head costume designer Anthony Powell and co-designer Joanna Johnston aimed to equip hundreds of extras for massive set-piece scenes, including the Berlin book-burning rally. Sourcing large quantities of period-accurate German military apparel was both expensive and time-consuming for the wardrobe department. Johnston embarked on a research trip to Eastern Europe (specifically areas that had been behind the Iron Curtain in former East Germany) to track down original reference materials and clothing. During her search, Johnston stumbled upon an extraordinary discovery: a newly unearthed surplus cache of genuine World War II-era German military uniforms. Rather than spending their budget recreating hundreds of replica suits, the production team acquired the real military garments directly. The production cleaned and tailored these original pieces, integrating them seamlessly into the wardrobe department for the film's cast and extras. While central characters like SS Officer Walter Donovan and Colonel Vogel wore custom-tailored costumes created specifically for the film, the genuine historical uniforms were utilized heavily in crowd scenes. Most notably, they were worn by the hordes of background soldiers during the Berlin book-burning scene, which was actually shot at Stowe School in Buckinghamshire, England. This incredible stroke of luck gave the film an eerie level of historical authenticity that few Hollywood blockbusters have ever matched. #costume #thehistoriansden

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Clara Wieck-Schumann A symbol of Courage “Clara has composed a series of small pieces, which show a musical and tender ingenuity such as she has never attained before. But to have children, and a husband who is always living in the realm of imagination, does not go together with composing. She cannot work at it regularly, and I am often disturbed to think how many profound ideas are lost because she cannot work them out.” Thus spake Robert Schumann of his wife(born on September 13, 1819) who was the most brilliant woman pianist of the 19th century and equal of Thalberg, Herz and Liszt — the great performers of her age. Though she could no more give up performing than her husband could part with composing, Clara’s role as breadwinner cast a prodigious strain on their relationship since she could make more money in three months of performing than he in a year of composing. As Robert said: “My situation is unmanly, and your conduct not womanly.” Nonetheless, she tirelessly promoted her composer husband and played a most influential role in the life of Johannesburg Brahms. Editor’s note: To further appreciate the lives of Robert, Clara and Johannes, I would highly recommend the novel TRIO, written by Boman Desai who skillfully interweaves the lives of the great musical masters of the 19th century within the setting of a novel with a historiographical bent.

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