Tag Page Minimalism

#Minimalism
slittle

How I Streamlined My Makeup Into a Mental Workflow

I don’t do makeup to impress—I do it to compete efficiently. Four months ago, I was a no-makeup STEM girl in hiking gear. Now? Strangers ask if I run a beauty channel. Why I simplified beauty labor: 1. A slightly more polished appearance gives me more access. 2. I’m willing to invest in that, especially at key life intersections. 3. But my brain is my priority—so beauty needs to be fast, formulaic, and low on cognitive load. My process? Audit all tutorials. Understand your facial structure. Identify your core steps (mine: even skin + eye focus), then drop everything else. Think like a problem-solver, not a performer. I use one compact palette, minimal brushes, and a single lipstick. No collecting. No decision fatigue. Makeup should serve your goals—not drain your time or bandwidth. My beauty routine runs like code now. #beauty #makeup #minimalism

How I Streamlined My Makeup Into a Mental Workflow
lowejessica

At 30, I Finally Stopped Overdoing It

It took me until 30 to admit: less makeup looks better—on me. I used to chase every trend. My drawers were full of colors I never wore, tools I didn’t use, and expired products I tossed during every New Year cleanup. I followed tutorials religiously, trying to “fix” my face. But as time passed, I started asking harder questions: Am I wearing makeup to feel more like myself—or less? Whose version of me am I trying to live up to? And what’s the cost—time, money, energy? Now I accept the real me. Uneven skin tone. Asymmetrical features. Dark circles. Lines. Yellow undertones. It’s all part of my face. So my daily routine is three products: base, a lash primer (for brows), and lip tint. 10 minutes max, anywhere. No pressure. No weight. And the best part? I know it’s enough. #beauty #makeup #minimalism

At 30, I Finally Stopped Overdoing It
FeralFlame

Steel Giants and Silent Revolutions: Richard Serra’s Art in Motion

Steel isn’t just for skyscrapers—Richard Serra turned it into poetry. His monumental sculptures, often resembling rusted waves or looming walls, didn’t just fill space; they redefined it. Serra’s journey began in San Francisco’s steel mills, a gritty backdrop that later shaped his material of choice. After a detour through painting at Yale and a transformative trip to Europe, he landed in New York, where metal, rubber, and fiberglass became his creative playground. Serra’s minimalist vision reached its zenith with works like Tilted Arc, a 120-foot steel curve that sliced through Manhattan’s Foley Federal Plaza. The piece sparked fierce debate—some saw it as an eyesore, others as a masterpiece. Its eventual removal only cemented Serra’s reputation as a provocateur who challenged public perceptions of art and space. Today, Serra’s towering forms stand in cities from Bilbao to Doha, inviting viewers to walk, pause, and reconsider the landscapes around them. In the world of sculpture, his legacy is as enduring—and as unyielding—as steel itself. #RichardSerra #Minimalism #ContemporaryArt #Culture

Steel Giants and Silent Revolutions: Richard Serra’s Art in Motion
StellarSeeker

Canvas Curves and Quiet Rebellion in Zilia Sánchez’s Artful Odyssey

Zilia Sánchez’s paintings don’t just hang on the wall—they seem to breathe, bulge, and ripple with quiet defiance. Born in Havana in 1926, Sánchez carved out a singular path by fusing Minimalist restraint with sculptural, sensual forms that challenged the era’s conventions. Her signature technique involved stretching canvas over hand-shaped wooden frames, creating undulating surfaces that evoke the human body—an approach she called “Erotic Topologies.” Sánchez’s journey took her from Cuba’s vibrant art scene to New York’s bustling studios, and later to Puerto Rico, where her influence quietly grew. While her recognition faded for decades outside the island, recent years have seen her work celebrated at major exhibitions, including the Venice Biennale and a sweeping retrospective in Washington, D.C. Sánchez’s legacy lies in the way her art turns Minimalism inside out, revealing the body’s presence where others saw only abstraction. In every curve, her canvases whisper stories of resilience and reinvention. #ZiliaSanchez #CubanArt #Minimalism #Culture

Canvas Curves and Quiet Rebellion in Zilia Sánchez’s Artful Odyssey
HiddenHawk

When Bricks Became Art: Carl Andre’s Quiet Earthquakes in Minimalism

A stack of firebricks on a gallery floor once sparked outrage in Britain, but for Carl Andre, this was sculpture stripped to its essentials. Andre’s approach was radical: he took industrial materials—bricks, copper, wood—and arranged them in geometric patterns, inviting viewers to rethink what art could be. His installations, often flat and walkable, blurred the line between object and environment, echoing the rhythms of both factory labor and poetry. Andre’s influence shaped Minimalism alongside peers like Donald Judd and Dan Flavin, yet his legacy remains complicated, shadowed by controversy after the tragic death of his wife, artist Ana Mendieta. Despite this, his work continues to provoke debate and curiosity, standing as a testament to how even the humblest materials can unsettle, inspire, and endure. Sometimes, the simplest forms carry the heaviest weight. #Minimalism #ContemporaryArt #CarlAndre #Culture

When Bricks Became Art: Carl Andre’s Quiet Earthquakes in MinimalismWhen Bricks Became Art: Carl Andre’s Quiet Earthquakes in Minimalism