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6 Surreal Films That Don’t Want to Be Understood

Some films aren’t meant to be solved. They’re meant to be felt. I used to watch with a notebook in hand—mapping metaphors, decoding color palettes. Then I saw The Color of Pomegranates, and something shifted. It didn’t explain itself. It just… existed. Like a dream you wake from, shaken but unsure why. These 6 films taught me that beauty doesn’t need closure. Sometimes, the farther you are from “getting it,” the closer you are to its core. 🎥 Dreams (1990, Kurosawa) — Eight vivid dreamscapes across a lifetime. 🎥 The Fall (2006, Tarsem Singh) — Shot in 26 countries, it’s grief dressed in fantasy. 🎥 The Color of Pomegranates (1969) — A poet’s life told in symbols, not words. 🎥 Ashik Kerib (1988) — A love story told like silent ballet. 🎥 Shirley: Visions of Reality (2013) — Edward Hopper paintings brought eerily to life. 🎥 The Holy Mountain (1973) — Chaos, religion, power—then release. Which film made you feel lost in the best way? #entertainment #movie #surrealism

6 Surreal Films That Don’t Want to Be Understood
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My Favorite Movie. Period.

If I had to choose one film to carry with me for life—it’s The Worst Person in the World. No contest. Julie is 30 and lost. Not in a tragic way. Just… real. She ditches med school, dabbles in psychology, takes photos, dates an older man who wants kids—and doesn’t. Then there’s the affair, the unplanned pregnancy, the breakup, the mess. All of it. Every decision feels like reaching for roses in thorns. But what floored me most? That one line: “If men got periods, we’d talk about them constantly.” She says it. Calmly. Clearly. And suddenly I was crying in a way I didn’t expect. This isn’t a sweet coming-of-age story. It’s a film with frost on its surface and fire underneath. Oslo glows cold and distant. The steam from her coffee carries more truth than most entire scripts. Watch it. For the ache. For the honesty. For yourself. #Entertainment #movie #MovieConfession

My Favorite Movie. Period.
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Rainy Day Films for the Quiet Ones

When the sky turns gray, I turn inward. As an introvert, rainy days feel like an invitation—one that says stay in, feel deeply, don’t explain. Here are 9 films I go back to whenever I need quiet repair: 🌿 The Crossing — A smuggler girl. A city split. She stands at the edge of Shenzhen, and you suddenly remember what it’s like to feel lost and sixteen. 🪐 Journey to the West — A makeshift sci-fi dream by a grieving father. The alien he’s chasing? Maybe it’s just love that never landed. ☀️ Aftersun — DV cam memories. Turkish beaches. A dad you remember too late. Still the softest heartbreak I know. 🦔 The Hedgehog — “We’re all hedgehogs, some just hide better.” Introvert gospel, filmed in a Paris apartment. 🛵 Our Little Sister — Four girls, plum wine, and a seaside life that holds grief and joy like twins in the same home. 🌊 On the Beach at Night Alone — Kim Min-hee smokes in silence, snow falling around her heartbreak. One line says it all: “Loving someone is like swimming in the dark.” 💨 Nobody Knows — No tears, just silence. A boy buries his sister with a chocolate bar. You won’t recover for weeks. 🍇 Tears of Grapes — A mute girl and a failed pianist find healing among vineyards. Every grape feels like a heartbeat. ☄️ Detachment — “My soul is so far from me.” A teacher’s diary that reads like poetry written in chalk. These aren’t feel-good films. They’re feel-true films. #entertainment #movie #MovieConfession

Rainy Day Films for the Quiet Ones
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The Film That Fashion’s Been Stealing From for 20 Years

It was never supposed to be stylish. Gummo (1997) is a film that reeks of rot—rusty bathtubs, broken towns, kids numb from too much nothing. And yet… fashion keeps crawling back to it. Chloë Sevigny didn’t dress those characters to look cool. She raided thrift bins, borrowed her own closet. Metal tees, animal prints, ripped tights—filthy, jarring, real. That “just threw it on” chaos? It’s been ripped off by runways ever since. Supreme printed its scenes on tees. MSGM rewrote its dirt-core angst into glossy fabrics. Gummo never asked to be a muse—but the world, starving for authenticity, turned to its decay. Maybe we keep copying it because it didn’t try. Because real doesn’t age. Which movie’s fashion hit you like that—raw, wrong, unforgettable? Drop it in the comments. I want to know. #entertainment #movie #gummo

The Film That Fashion’s Been Stealing From for 20 Years
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Debate｜Should Biopics That Lie Be Called Out?

Let’s be real—most of us watch biopics to learn something about a person or a major event. Even if it’s dramatized a bit, we still assume the core story is true, right? But what if it’s not? Take Hotel Rwanda. It made Paul Rusesabagina look like Africa’s Schindler—a hero who saved lives during genocide. But later, survivors accused him of extortion, and he was even sentenced for terrorism-related charges (later released). Turns out, many people in that hotel were hostages caught in political negotiation—not saved because of his bravery. So… If a “true story” movie twists facts that much, does it still deserve to be called a biopic? And if the audience only felt moved because they were misled—is that emotion even real? Have you seen any other “based on true events” films that turned out to be totally off? Drop the names 👇 #Entertainment #movie #filmdebate #biopic #historyvsdrama #HotelRwanda #moviethoughts

Debate｜Should Biopics That Lie Be Called Out?