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tammysimmons

We Saw Something That Shouldn’t Exist

2 AM in a dead-silent Quebec suburb. We climbed the hill for the view—just two nightwalkers who knew these streets. Then I saw it. A white mass, too large for any animal, moving erratically at the base of the hill. My body locked up before my brain processed why. Footsteps approached—human-paced, deliberate—but the thing wasn’t coming toward us. It kept searching the ground like a predator sniffing tracks. My boyfriend, who laughs off horror movies, yanked me into a sprint. When we cleared the trees, the figure vanished. No sound. No trace. We cried afterward. Not from shock—from some deep, cellular certainty that we’d escaped something wrong. TL;DR: Either Quebec has undiscovered wildlife, or we brushed against something that defies labels. Still checking over our shoulders. (Questions welcome. We need answers.) #Unexplained #NightTerrors #QuebecMysteries

We Saw Something That Shouldn’t Exist
ian15

The Film That Fashion’s Been Stealing From for 20 Years

It was never supposed to be stylish. Gummo (1997) is a film that reeks of rot—rusty bathtubs, broken towns, kids numb from too much nothing. And yet… fashion keeps crawling back to it. Chloë Sevigny didn’t dress those characters to look cool. She raided thrift bins, borrowed her own closet. Metal tees, animal prints, ripped tights—filthy, jarring, real. That “just threw it on” chaos? It’s been ripped off by runways ever since. Supreme printed its scenes on tees. MSGM rewrote its dirt-core angst into glossy fabrics. Gummo never asked to be a muse—but the world, starving for authenticity, turned to its decay. Maybe we keep copying it because it didn’t try. Because real doesn’t age. Which movie’s fashion hit you like that—raw, wrong, unforgettable? Drop it in the comments. I want to know. #entertainment #movie #gummo

The Film That Fashion’s Been Stealing From for 20 Years
ian15

10 Films That Quietly Changed Me

These are the 10 films I watched (or rewatched) in 2024 that didn’t just move me—they rewired something quiet inside me. Antonia’s Line felt like One Hundred Years of Solitude—but female, earthbound, mythic. A matriarchal utopia told in soft, stubborn strength. The Taste of Things made cooking look like prayer. Hands, copper pots, light. Love layered into every simmer. Perfect Days reminded me that repetition isn’t dull—it’s sacred. Toilet cleaner by trade, poet by rhythm. Hope is a marriage falling apart without a single scream. Just honesty, and the strange peace that follows. The Dig made me want a Chinese version about Liang Sicheng & Lin Huiyin—history, heartbreak, and architecture all crumbling together. Others stayed with me too: Anatomy of a Fall. August: Osage County. Spring in Seoul. Hello, Mr. Tree. Karma. I didn’t love them because they were loud. I loved them because they lasted. #Entertainment #movie #MovieConfession

10 Films That Quietly Changed Me
Category: Entertainment - Page 15 | zests.ai